The Florilegium
Print detail — every line holds at full size

The Rose

Evrat’s Rose

Rosa evratina

A named garden rose of the 1810s — a plate that preserves a variety otherwise lost.

Book
Rosier d’Evrat, from Les Roses
Artist
Pierre-Joseph Redouté
Date
1817–1824
Held by
Bibliothèque nationale de France · via Wikimedia Commons
Rosa evratina

Format

The full-resolution scan, colour-managed to the source — yours to print, study, and explore, down to the stipple.

Size

$29.00

The story

A rose named for the nurseryman who raised it, and one of a good many in Les Roses that no longer exists in any garden anywhere. The rose trade of the early nineteenth century produced varieties at a furious rate and lost them just as fast; when a named rose stopped selling it simply stopped being propagated, and a decade later it was gone. For dozens of them this book is the only surviving evidence. A plate can outlive the plant by two centuries.

See it on your wall

The garden, brought indoors

Evrat’s Rose printed large and framed, hung in rooms like yours. Every edition ships ready to become the piece the room is built around.

Evrat’s Rose framed on the wall
Evrat’s Rose framed on the wall
Evrat’s Rose framed on the wall
Evrat’s Rose framed on the wall

About this reproduction

  • A faithful reproduction of a public-domain plate held by Bibliothèque nationale de France · via Wikimedia Commons — the work is centuries out of copyright (1817–1824).
  • Printed to order on archival cotton-rag stock, pigment inks rated 100+ years (inscribed pieces and atelier bouquets are set by hand and printed to order).
  • Colour-managed to the source scan: the hand-colour is the colourist’s, not ours. We correct nothing and invent nothing.
  • Ships in 5–10 business days, rolled in a heavy-wall tube (framed pieces ship flat-packed).
  • If it arrives less than perfect, we reprint or refund — your choice.

Why our plates cost more than a poster: we print from the highest-resolution scans in existence, at sizes where the engraving itself becomes visible — the stipple that makes a petal look soft, the wash of the hand-colourist, the veins of the leaf — on stock made to outlive its owner. A poster reproduces the picture. This reproduces the plate.