The Florilegium
Print detail — every line holds at full size

The Orchid

The Mexican Lady’s Slipper

Cypripedium irapeanum

The largest slipper orchid in the Americas, and one of the hardest to keep alive.

Book
Edwards’s Botanical Register
Plate
Pl. 58
Artist
for John Lindley, Edwards’s Botanical Register
Date
1846
Held by
Wikimedia Commons
Pl. 58Cypripedium irapeanum

Format

The full-resolution scan, colour-managed to the source — yours to print, study, and explore, down to the stipple.

Size

$29.00

The story

A yellow slipper orchid from the Mexican highlands, the largest of its kind in the Americas and famously impossible in cultivation — it depends on a soil fungus that nobody could supply, so every plant collected for a European glasshouse died. Thousands were dug up anyway. The plate is one of the few honest records of what the thing looks like alive. Some plates exist because the plant refused to.

See it on your wall

The garden, brought indoors

The Mexican Lady’s Slipper printed large and framed, hung in rooms like yours. Every edition ships ready to become the piece the room is built around.

The Mexican Lady’s Slipper framed on the wall
The Mexican Lady’s Slipper framed on the wall
The Mexican Lady’s Slipper framed on the wall
The Mexican Lady’s Slipper framed on the wall

About this reproduction

  • A faithful reproduction of a public-domain plate held by Wikimedia Commons — the work is centuries out of copyright (1846).
  • Printed to order on archival cotton-rag stock, pigment inks rated 100+ years (inscribed pieces and atelier bouquets are set by hand and printed to order).
  • Colour-managed to the source scan: the hand-colour is the colourist’s, not ours. We correct nothing and invent nothing.
  • Ships in 5–10 business days, rolled in a heavy-wall tube (framed pieces ship flat-packed).
  • If it arrives less than perfect, we reprint or refund — your choice.

Why our plates cost more than a poster: we print from the highest-resolution scans in existence, at sizes where the engraving itself becomes visible — the stipple that makes a petal look soft, the wash of the hand-colourist, the veins of the leaf — on stock made to outlive its owner. A poster reproduces the picture. This reproduces the plate.